Other accolades include the Ted Hughes award, PBS Winter Choice, A Sunday Times Young Writer of the year award & The Guardian Poetry Book Of The Year 2018, as well as a shortlist for the Griffin Prize and Forward Prize. In 2018 he was awarded 'The Geoffrey Dearmer Prize', (Judged by Ocean Vuong), for his poem 'Sound Machine'. Also in 2019, his poem ‘Jamaican British’ was added to the GCSE syllabus.
He is the recipient of fellowships from Cave Canem, Complete Works 3 and Jerwood Compton. He is also one of the world's first recipients of an MA in Spoken Word education from Goldsmiths University.
Raymond is a founding member of 'Chill Pill' and 'Keats House Poets Forum' and is an Ambassador for 'The Poetry School'. His poems have been published in POETRY, Poetry Review, News Statesman, The Deaf Poets Society, as well as in anthologies from Bloodaxe, Peepal Tree Press and Nine Arches.
Raymond has read and performed his poetry at festivals (Glastonbury, Latitude, BOCAS etc) to universities (Oxford, Goldsmiths, Warick etc). He has won numerous Slams (Farrago International Slam Champion 2010, The Canterbury Slam 2013 and was joint winner at the Open Calabash Slam in 2016). His poetry has appeared on BBC 2, BBC Radio 4, The Big Issue, The Jamaica Gleaner, The Guardian and at TedxEastEnd.
Raymond also writes for young readers. His debut children’s picture book ‘Can Bears Ski?’ is illustrated by Polly Dunbar and is set to be published in the UK by Walker Books and in the US/Canada by Candle Wick Press.
“His monologues are stunning studies of voice and substance, and his lyric poems are graceful and finely crafted” - Kwame Dawes
“Raymond uses nostalgia for a place and a time, but resists sentimentality completely. He makes the reader/listener experience the moment with all the senses and very skilfully sets that up against a harsher reality” – Imtiaz Dharker
Her first collection of poetry, Pepper Seed, was published by Peepal Tree Press in 2013 was shortlisted for the OCM Bocas 2014 poetry prize, and the Seamus Heaney Centre prize for best first full collection published in the UK and Ireland. She was the inaugural Poet In Residence at the Royal Shakespeare Company. Booker's poem "Nine Nights", first published in The Poetry Review in autumn 2016, was shortlisted for Best Single Poem in the 2017 Forward Prize.
In 2019, Booker received a Cholmondeley Award for her outstanding contribution to poetry. Malika was the first British poet to be a fellow at Cave Canem. Malika has also written for the stage and radio, and poems are widely published in anthologies and journals including: Out of Bounds, Black & Asian Poets (Bloodaxe 2012); Ten New Poets (Bloodaxe, 2010); The India International Journal 2005; and Bittersweet: Contemporary Black Women’s Poetry (The Women’s Press, 1998).
He was chosen by Decibel as one of the 50 writers who have influenced the Black British writing canon. He was shortlisted for the OCM Bocas Poetry Prize and highly commended by the Forward Poetry Prize for his previous poetry collection Butterfly Hotel (2012). He is co-founder of both Spoke Lab and the international writing collective, Malika’s Kitchen.
A leader of the new dub movement mixing poetry, rhythm and socially conscious themes, Roger is a founding member and vocalist for musical crossover project King Midas Sound, whose critically acclaimed debut album Waiting for You was released on Hyperdub Records, becoming number 10 in the top 50 releases of 2009 in Wire Magazine. His solo album of spoken folk, illclectica was named by Mojo Magazine as "number eight in the top 10 electronic albums for that year. In 2015 he released Dis Side Ah Town, which has been described as "an album that lyrically recalls the most incisive and suggestive lyricists in dub and roots reggae"
Hayes’s poetry collections include American Sonnets for My Past and Future Assassin (2018), finalist for the National Book Award; How to Be Drawn (2015), finalist for the National Book Award and the National Books Critics Circle Award; Lighthead (2010), winner of the National Book Award and finalist for a National Book Critics Circle Award; Wind in a Box (2006), finalist for the Hurston-Wright Legacy Award; Hip Logic (2002), chosen for the National Poetry Series and finalist for an LA Times Book Award and an Academy of American Poets James Laughlin Award; and Muscular Music (1999), winner of a Kate Tufts Discovery Award.
His poems have also been featured in several editions of Best American Poetry and have won multiple Pushcart Prizes. He is also the author of a prose book based on his Bagley Wright lectures: To Float in the Space Between: A Life and Work in Conversation with the Life and Work of Etheridge Knight (Wave Books, 2018), which was winner of the Poetry Foundation's 2019 Pegasus Award in Poetry Criticism.
Hayes’s additional honors include a Whiting Writers’ Award and fellowships from the MacArthur Foundation, the National Endowment for the Arts, and the Guggenheim Foundation. He has taught at Carnegie Mellon University, the University of Alabama, and the University of Pittsburgh. Hayes is currently professor of English at New York University.